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Instructor’s Resource Materials for LISTEN.
Accompanies Joseph Kerman’s & Gary Tomlinson’s LISTEN, one of the leading music appreciation textbooks.
- Tenth edition. New York: W.W. Norton, 2023. 259 pages.
Church Music Certificate Program—
Session I—“‘The Heart of the Matter’—Practice and Theology of Church Music”
Session II—“History of Church Music”
Certificate program developed as a Fulbright-Nehru project in 2017-18 with Augustine Paul, Dr. Arul Siromoney, & Rev. Dr. C.S.E. Ross through the Institute for Advanced Christian Studies at Madras Christian College, Tambaram, Chennai, India
- Sixth Annual Church Music Certificate Program (talks given via video and Zoom), February 10, 2023
- Fifth Annual Church Music Certificate Program (talks given via video and Zoom), February 4, 2022
- Fourth Annual Church Music Certificate Program (talks given via video and Zoom), February 5-6, 2021
- Third Annual Church Music Certificate Program, January 17-18, 2020
- Second Annual Church Music Certificate Program (talks given via video and Skype), March 1-2, 2019
- Inaugural Church Music Certificate Program, February 23, 2018
Renaissance Summer Symposium—
Session I—“Music in Antiquity – Oral vs. Written Traditions”
Session II—“The Middle Ages – Chant”
Session III—“The Middle Ages – Polyphony”
Session IV—“Renaissance – Josquin des Prez”
Session V—“Renaissance – The Reformation”
Session VI—“Renaissance – The Madrigal”
Program developed jointly by the National Council for History Education and the Kentucky Educational Development Corporation. A week of presentations offered in collaboration with art historians Dr. Jasmine Cloud and Dr. Patricia Belleville. Lexington, KY, June 13-15 2022
Suzuki Bass School, Volume 6, 2nd Edition.
Piano transcription of the orchestral accompaniment for Handel’s Concerto in G Minor, HWV 287 (based on Handel’s manuscript parts from the Universitätsbibliothek, Rostock, Germany), and continuo realization for Vivaldi’s Sonata in A Minor. Alfred Publishing (publication pending).
Western Composers Lecture Series—
“Introduction to Western Classical Music”; “Pre-Baroque”; “Baroque”;
“Classical Era”; “Beethoven”; “Early Romantic Era”; “Late Romantic Era”;
“Late Romantic Opera”; “The Modern Era”; “Other Modern Composers”
Lectures for Jain University degree program developed by Dr. L. Subramaniam and offered at SaPa (Subramaniam Academy of Performing Arts), Sanjaynagar, Bengaluru, India
- January 6-10, 2020
- January 14-19, 2019
“Music for Harmonium Ensemble: The Art of Transcription”
IInd World Harmonium Summit, Bengaluru, India, January 3, 2020
Instructor’s Resource Manual for LISTEN.
Accompanies Joseph Kerman’s & Gary Tomlinson’s LISTEN, one of the leading music appreciation textbooks.
- Ninth edition. New York: W.W. Norton, 2019. Ebook. 864 pages.
- Eighth edition. Boston: Macmillan Learning, 2015. Ebook. 841 pages.
- Acquired from Macmillan by W.W. Norton in 2016.
- Seventh Edition. Boston: Bedford/St. Martin’s Press, 2012. 946 pages.
- Sixth Brief Edition. Boston: Bedford/St. Martin’s Press, 2008. 870 pages.
- Brief Fifth Edition. Boston: Bedford/St. Martin’s Press, 2004. 875 pages.
- Brief Fourth Edition. Boston: Bedford/St. Martin’s Press, 2000. 756 pages.
- Third Brief Edition. New York: Worth Publishers, 1996. 639 pages.
- Second Brief Edition. New York: Worth Publishers, 1992. 467 pages.
“Music & Devotion in Rasa Theory: The Nātyaśāstra & Its Commentaries”
Elmhurst College Faculty Research Forum, April 30, 2019
“Handel’s Ariodante”
Lyric Opera Far West Chapter, Wyndemere Senior Living Campus, Wheaton, IL, February 17, 2019
“Introduction to Rev. Floyd R. Harbold”
Introductory remarks for the Inaugural Rev. Floyd R. Harbold Endowment Lecture, Department of Philosophy, Madras Christian College, Tambaram, Chennai, India, January 29, 2019
“Music of the Civil Rights Movement”
Department of History, Madras Christian College, Tambaram, Chennai, India, January 28, 2019
“Introduction to Composition: 1) Harmonizing a Chorale-Style Melody;
2) More Active Melodies and Accompaniments”
Harp’n Lyre Academia Musica, Kottayam, India, January 10-11, 2019
“Reflections on Some Differences between Western and Indian Music”
- CMS College, Kottayam, India, January 10, 2019
- Sunaada Art Foundation & Hejje Foundation, Bengaluru, India, April 7, 2018
“Music & Devotion in the Ancient World & Middle Ages: Snapshots from the Navajo, Greek Philosophy, Rasa Theory and The Christian Church”
Popular Devotions: Philosophy and Practice. Chennai: Satya Nilayam Publications, 2018, pp. 56-76.
“A Fulbright Scholar’s Reflections”
Elmhurst College Faculty Forum, May 10, 2018
Session I—“Inaugural Address”
Session II—“Understanding and Documenting Music—East and West: Navigating Oral and Written Traditions”
International Symposium on Performing Arts, University of Madras & Shasun Jain College for Women, T. Nagar, Chennai, India, April 5, 2018
Day I—“Inaugural Address”
Day II—“On Western Music”
Chief Guest, Manodharma Sangeetha Workshop, Marabu Foundation,
Thillaisthanam, Thanjavur, India, March 30-April 1, 2018
“Whirlwind History of the Blues”
Swarnabhoomi Academy of Music, Cheyyur Taluk, Kancheepuram District, India, March 28, 2018
“The Relevance and Scope of Music in a Technologically Advanced World”
Department of English, Madras Christian College, Tambaram, Chennai, India, March 20, 2018
South and Central Asia Fulbright Conference
Moderator for Session VIB—“Music,” Dwarka, New Delhi, India, February 27, 2018
“Film Music—What to Listen For”
Indian Music Department, University of Madras, Chepauk, Chennai, India, February 19, 2018
“Multiculturalism in Church Music in the U.S.A.”
Mr. Ralph Voorhees Endowment Oration, Voorhees College, Vellore, India, February 16, 2018
“Western Music in Context”
Apollo Hospital Lecture Series, Chennai, India, February 6, 2018
“Church Music in the U.S.—Multicultural from the Start”
Mylapore Institute for Indigenous Studies, Y.W.C.A., Egmore, Chennai, India, January 19, 2018
“Intersections between Indian and Western Music”
Fulbright Lecture, American Library, U.S. Consulate, Chennai, India, January 18, 2018
“My Life in Music”
Horizon Club, Bala Vidya Mandir, Adyar, Chennai, India, January 11, 2018
“Music and Devotion in the Ancient World and Middle Ages: Snapshots from the Navajo, Greek Philosophy, the Christian Church, and Rasa Theory”
National Seminar on Philosophical Engagement of Popular Devotion and Religious Life-World, Loyola College & Satya Nilayam Research Institute, Thiruvanmiyur, Chennai, India, January 10, 2018
“Handel’s ‘Glory to God’—A Christmas Reflection”
Christmas Celebration 2017, Department of Public Administration, Madras Christian College, Tambaram, Chennai, India, December 7, 2017
“Philosophy of Music: Questions and Problems”
Department of Philosophy, Madras Christian College, Tambaram, Chennai, India, November 23, 2017
“Wagner’s Die Walküre”
Lyric Opera Far West Chapter, Monarch Landing, Naperville, IL, October 8, 2017
College Music Society—Great Lakes Chapter Regional Conference
“Past Presidents Panel Discussion”: Mark Harbold (Elmhurst College), Keith Clifton (Central Michigan University), Barbara Bowker Ellis (Harper Community College), James Perone (Mount Union College), Susan Piagentini (Northwestern University), Gene Trantham (Bowling Green State University)
Murray State University, Murray, KY, April 8, 2017
“Russian Opera and Tchaikovsky’s Yevgeny Onegin”
Lyric Opera Far West Chapter, Monarch Landing, Naperville, IL, February 12, 2017
“Music and Philosophy of Life”
Dr. Michael Lockwood Endowment Lecture, Department of Philosophy, Madras Christian College, Tambaram, Chennai, India, January 7, 2015
“Music and Text”
Department of English, Central University, Thiruvarur, India, January 13, 2015
“Music as a Form of Communication”
Department of Communication, Vellore Institute of Technology, Chennai, India, January 19, 2015
“The Place of Music in Christianity”
Mylapore Institute for Indigenous Studies, Chennai, India, January 20, 2015
College Music Society “SOUTH INDIA” Web Page
Click here to view page, 2013
Suzuki Bass School, Volume 5, 2nd Edition.
Piano accompaniment for Capuzzi’s Concerto for Double Bass in F Major and continuo realizations for Rameau’s Tambourin & Marcello’s Sonata VI in G Major. Alfred Publishing, 2012.
“Music and Interculturalism: Mbube as an Example of Globalization”
Keynote address, International Seminar on Cultural Studies—A Literary/Linguistic Approach. Quaid-E-Millath Government College for Women, Chennai, India, January 9, 2012
“Music, Nature, and Spirituality: Case Studies from the American Experimental Tradition”
Keynote address, Organization for the Study of Literature and Ecology-India, IVth International Conference, National College, Tiruchirapalli, India, September 26, 2009
“Bridges to Other Disciplines II”
Session Co-chair, College Music Society Annual National Conference, Atlanta, GA, September 27, 2008
College Music Society—“Two Greats” Super-Regional Conference
“Past Presidents Recognition and Panel”: Mark Harbold (Elmhurst College), James Perone (Mount Union College), Craig Parker (Kansas State University), Byron Jensen (Hastings College), Darleen Mitchell (University of Nebraska at Kearney)
Session Chair: “Pedagogy I—Beyond the Lecture”
Illinois State University, Normal, IL, March 28-29, 2008
“Culturally Inclusive Pedagogy”
Session Chair, College Music Society 50th Annual National Conference, Salt Lake City, UT, November 17, 2007
Powerpoint Lecture Outlines for LISTEN, Fifth Edition.
Boston: Bedford/St. Martin’s Press, 2005.
“You asked me to teach what?: Teaching Outside Your Professional Area”
Panel Discussion: Mark Harbold, Chair (Elmhurst College), Claire Boge
(Miami University), Larry F. Ward (Central Michigan University), Mary Scanlan
(Grand Rapids Community College), and Gene Trantham (Bowling Green State
University). College Music Society—Great Lakes Chapter Annual Meeting,
Ball State University, Muncie, IN, April 1, 2000
“So Much to Teach, Yet So Little Time”
Panel: Scott D. Lipscomb, Chair (University of Texas at San Antonio),
Peter Webster (Northwestern University), Mark Lochstampfor (Capital University),
and Mark Harbold (Elmhurst College). Association for Technology in Music
Instruction Annual National Meeting, Denver, CO, October 15, 1999
“HyperCard and CD-ROM in the Music History/Appreciation
Classroom”
Paper presented at College Music Society—Great Lakes Chapter Annual
Meeting, University of Wisconsin, Madison, WI, April 22, 1995
GOMDA DAAGYA (Wind Song).
Ann Arbor, MI: University Microfilms International, 1987. 467 pages.
Buffalo Evening News.
Reviewed over 75 concerts for the City Desk, 1977-78, 1980-82.
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